In this elegant geometric composition, Francis Dusépulchre demonstrates how minimal formal means can generate remarkable visual complexity. Delicate relationships between colour planes produce subtle optical effects that seem to expand beyond the physical limits of the support.

The painting reflects the artist's conviction that abstraction should not merely represent harmony but actively create it through perception. Every element has been reduced to its essentials, resulting in an image that is simultaneously rigorous and contemplative.

Francis Dusépulchre (1934–2013) was a self-taught Belgian painter and sculptor who moved, around 1969, from an early surrealist figuration toward minimalist, constructed abstraction. The critic Robert Rousseau dubbed him a 'shadow-shower' for the way he let incisions and taut threads catch and release light across his panels. His monumental integrations can be found at Le Grand-Hornu and the Musée de Mariemont.

Details

• Material: Lacquer on wood
• Dimensions: 152 × 152.5 × 10 cm
• Edition: Edition